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josephine decker interview

It doesn’t matter.

When she’s not obsessively collecting all things “Trick ‘R Treat” related, or trying to convince everyone that “Hereditary” is one of the greatest horror films ever made, you can find her designing interiors for commercial restaurants. Thank you so much for speaking with me today, I absolutely loved SHIRLEY.

It might not.

She’s only worried about honesty and entertainment and all of that. ... To Shirley, [Rose] represented Shirley at a younger age. I think that was something else that made its way into the film.

When she's not obsessively collecting all things "Trick 'R Treat" related, or trying to convince everyone that "Hereditary" is one of the greatest horror films ever made, you can find her designing interiors for commercial restaurants.

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[What attracts me to Jackson’s work is] her bravery.

They didn’t want to look at themselves as being capable of being so cruel. It’s okay to be hurt by someone saying something negative about what you do.

She had an incredible imagination — most good writers do — and it was very, very vivid. Rose is drawn to the prickly Shirley, and their fates become intertwined.The film is directed by Josephine Decker, who in movies like 2014’s I recently spoke to both Moss and Decker via Zoom, in separate conversations, but the themes of both discussions were similar: what makes Shirley Jackson so fascinating as a person and a writer, what it’s like to craft a movie with an “unlikable” character, how the real Shirley and the movie’s Shirley diverge, and why her story still matters today.

An avid haunt fan, Shannon spends the entire year visiting haunts and immersive experiences throughout the Southern California area and hopes to one day design her own haunted attraction.

Below, I’ve compiled our chats into one look at an engrossing movie with a complicated, brilliant woman at its center.The timeline was interesting, because [Shirley] had to be writing [Screenwriter] Sarah [Gubbins] was very clear that she was adapting a novel, So she’s at a place where “The Lottery” has come out, and she’s dealing with this newfound fame. During the interview, we discussed everything from how the film came together finding the right location to tell the story, and working with the talented cast. I really appreciate that. That usually means the cruel characters are sometimes fairly likable, and likable ones are cruel.I would love for everyone to misinterpret the things that I do! And so it doesn’t really matter what the filmmaker’s idea is. But I think ultimately, Shirley looks at this woman and has a lot of respect for her, and goes, I feel an internal pressure to be likable as a human in regular life.

She doesn’t worry about whether or not a character is likable, or difficult, or a hero or a heroine. That bravery is in a lot of her work. People tend to think a character like her isn’t going to care and is just like, “Whatever, I’m just existing in my own world, and I don’t give a fuck about anyone else.” That wasn’t true. With Shirley, I had a bit more of a pathway.... One of the things that excited me about the real Shirley and Stanley was how well-read they were, how their house was just full of books.

It is very complicated, and a fascinating, cruel part of her personality. An avid haunt fan, Shannon spends the entire year visiting haunts and immersive experiences throughout the Southern California area and hopes to one day design her own haunted attraction.

We played it as if it was [happening], because that’s the only way to actually make it feel as real as it would be in Shirley’s head. Your financial contribution will not constitute a donation, but it will enable our staff to continue to offer free articles, videos, and podcasts at the quality and volume that this moment requires. You’re always trying to find things that are like the thing that you want to do so that you can figure out how to do the thing you want to do. I have so much respect for the dedication and the concentration that it takes. "It just felt like you'd walked into 1938, 1940," Decker says. I prefer to just be honest.

But some critics disagree.The coronavirus has laid bare the flaws in our economy. For me, the story is really so much about being a writer. It’s fun to get your story down, and when you figure it out, it’s great.

Are they gonna like it as much? When That’s the thing: Nobody’s all the way likable. As a woman and an author at that time, I think people didn’t know what the fuck to do with her.

Those letters about “The Lottery” affected her deeply. Part of it might be happening. I love doing work that doesn’t care whether or not somebody is likable. So for instance, in I don’t know how [Jackson] does that — it’s a poetic thing.

When she has that porch scene with Rose — we called it a love scene — it might be really happening. What will the next thing be like? When she's not obsessively collecting all things "Trick 'R Treat" related, or trying to convince everyone that "Hereditary" is one of the greatest horror films ever made, you can find her designing interiors for commercial restaurants. I think exploring that with Shirley Jackson was really interesting. All of that. [Her stories are] scary, but they’re scary because they’re real. And she slips you into that imagined space — not abruptly, but very seamlessly, so you don’t really realize that you’ve gone there — and I think that’s very hard to do.

It’s not!

Elisabeth Moss plays the author in the film, which is set in 1950 just after the publication of Jackson’s 1948 short story Her tenuous quiet at home is broken when Stanley’s new assistant, Fred Nemser (Logan Lerman), shows up with his wife, Rose (Odessa Young), and they move into the guest room while looking for a home.

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josephine decker interview