Then you can set up each song and have the band play along to it, while a band member stands in front of the PA speakers and makes a judgement about the mix of the mono playback material.The two-track mix you're creating is really two simultaneous mono mixes, so you'll need to send it from two independent outputs of your mixing desk (not the main stereo outputs) into your recorder. The latter approach is pretty much the norm for live pop shows these days. A technician is much less likely to know when there has been a cock-up in the arrangement (such as the singer coming in four bars early), and so know when to abandon ship and turn off the playback.A famous pop band of the mid-'80s (mainly known for their singles and videos) were unable to replicate their 'produced' record sound on stage, so were reluctant to attempt any live gigs. All rights reserved.Web site designed & maintained by PB Associates & SOSYou may login with either your assigned username or your e-mail address.When creating a mono music mix for a two-track backing disc/tape, it's advisable to trim the start to avoid a distracting burst of background noise before the music begins.Mixing a stereo file to create a mono backing track can cause problems if one side of the file is out of phase with the other.
I detailed how to create suitable click tracks back in SOS August 2003, so I won't cover that ground again here, but it is worth mentioning that, in a live context, the click channel can also double as a cue track. In a two-track backing track, track one (or the left channel of a stereo recorder) should be designated the 'click channel' (heard only by the musicians on stage), while track two carries the pre-recorded audio you want the audience to hear.The click channel is solely for the band's (and specifically, the drummer's) benefit, and needs to be carefully put together. In other words, don’t pull a Mariah Carey at New Year’s Eve last year.Today, there’s no real excuse for any electronic artist to not trigger things live. If you play live regularly, sooner or later someone will suggest that you use a backing track on stage to enhance your performance, so here's how to go about creating them, based on experience learned the hard way!An incredible number of pop artists now use backing tracks, with applications ranging from total playback with a miming band (as on most TV shows) to a full band playing live, augmented by a few pre-recorded sounds and backing vocals. Large PA systems give a very different bass response, and rehearsal-room monitor speakers will introduce their own 'idiosyncratic' tonal characteristics! When it comes to committing to a mix, a practical solution could be to take your original multitrack machine (be it ADAT, Tascam eight-track, computer or whatever) to the rehearsal room along with a small mixing desk. Tragedy struck when both Fairlights crashed early in the gig, leaving the bemused stars with no vocals to mime to. You can opt to keep some vocals in a backing track, or cut them out entirely, but it’s always important that singers at least perform the lead vocals live. I've found that it usually takes three gigs or so until the engineer becomes happy with all the mixes, after which we hardly ever change them.That's all for now, but look out for more tips on honing your live performance and on-stage sound coming up in forthcoming issues.All contents copyright © SOS Publications Group and/or its licensors, 1985-2020. After telling jokes to an increasingly fidgety audience for 25 minutes, they admitted defeat and slunk off stage, where they presumably rediscovered their vocal prowess in an intensive swearing session directed at the bright young spark and his f***ing Fairlights!The moral of the story is always to have a back-up plan, and don't base your show so heavily on backing tapes that you can't actually play the show without them. So in this article, I'm going to show you how to get the best results with live backing tracks, as well as providing tips for avoiding common pitfalls.I'll start by dealing with simple two-track playback from CD, DAT or Minidisc. Excessive MIDI traffic can cause timing wobbles, so always listen to loops against the click before recording them. From pop to hip-hop to jazz, musicians in every genre rely heavily And if you’re eager to get started adding click tracks and backing tracks to your live performances, be it for solo shows or with a fully synced-up band, we can help! Remember, every metre introduces around 3ms delay!)
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