In Brazil, Tarsila do Amaral is a standard part of elementary school curriculum. Though she is widely celebrated in her native country, this is the first exhibition in the United States devoted exclusively to Tarsila’s groundbreaking art. The presentation follows her trips to Rio de Janeiro and the colonial towns of Minas Gerais and charts her expanding and vital role in Brazil’s emerging modern art scene and with its community of artists and writers, including poets Oswald de Andrade and Mário de Andrade. Levy; Ann and Samuel M. Mencoff; Usha and Lakshmi N. Mittal; Sylvia Neil and Dan Fischel; Thomas and Margot Pritzker; Anne and Chris Reyes; Betsy Bergman Rosenfield and Andrew M. Rosenfield; Cari and Michael J. Sacks; and the Earl and Brenda Shapiro Foundation. Tarsila do Amaral (1886–1973) was a central figure in the development of Brazil’s modern art, and her influence reverberates throughout 20th- and 21st-century art. 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Featuring over 100 works, including paintings, drawings, sketchbooks, photographs, and historical documents drawn from collections across Latin America, Europe, and the US, The exhibition is organized by The Museum of Modern Art and the Art Institute of Chicago.Organized by Luis Pérez-Oramas, former Estrellita Brodsky Curator of Latin American Art, The Museum of Modern Art, and Stephanie D’Alessandro, former Gary C. and Frances Comer Curator of International Modern Art, the Art Institute of Chicago; with Karen Grimson, Curatorial Assistant, Department of Drawings and Prints, The Museum of Modern Art.Major support for the New York presentation is provided by The International Council of The Museum of Modern Art, The Modern Women’s Fund, and by the Vicky and Joseph Safra Foundation.Generous funding is provided by Clarice Oliveira Tavares, Yvonne Dadoo Ader, and by the Consulate General of Brazil in New York.Additional support is provided by the Annual Exhibition Fund with major contributions from the Estate of Ralph L. Riehle, Alice and Tom Tisch, The Marella and Giovanni Agnelli Fund for Exhibitions, The Contemporary Arts Council of The Museum of Modern Art, Mimi and Peter Haas Fund, Brett and Daniel Sundheim, Franz Wassmer, Karen and Gary Winnick, and Oya and Bülent Eczacıbaşı.MoMA Audio is supported by Bloomberg Philanthropies.In 2018–19, MoMA collaborated with Google Arts & Culture Lab on a If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact All requests to license audio or video footage produced by MoMA should be addressed to Scala Archives at If you would like to reproduce text from a MoMA publication or moma.org, please email By visiting our website or transacting with us, you agree to this. Featuring over 100 works, including paintings, drawings, sketchbooks, photographs, and historical documents drawn from collections across Latin America, Europe, and the US, Tarsila do Amaral: Inventing Modern Art in Brazil is a rare opportunity to explore the work of this daring modernist. Tarsila’s contributions include the landmark 1928 canvas Featuring over 120 paintings, drawings, and historical documents related to the artist, Major support is generously provided by The Diane & Bruce Halle Foundation.Additional funding is contributed by the Morton International Exhibition Fund, Robert J. Buford, Noelle C. Brock, Constance and David Coolidge, Margot Levin Schiff and the Harold Schiff Foundation, the Jack and Peggy Crowe Fund, and Erika Erich.Annual support for Art Institute exhibitions is provided by the Exhibitions Trust: Neil Bluhm and the Bluhm Family Charitable Foundation; Jay Franke and David Herro; Kenneth Griffin; Caryn and King Harris, The Harris Family Foundation; Liz and Eric Lefkofsky; Robert M. and Diane v.S. Although relatively little-known outside Latin America, her work deserves to be understood and admired by a wide contemporary audience. Our site uses technology that is not supported by your browser, so it may not work correctly. NEW YORK, July 25, 2017—With Tarsila do Amaral: Inventing Modern Art in Brazil, The Museum of Modern Art and the Art Institute of Chicago will present the first exhibition in North America exclusively dedicated to the pioneering work of Tarsila do Amaral (Brazilian, 1886–1973), one of the greatest Brazilian artists of the 20th century. The exhibition begins in Paris with what Tarsila, as she is affectionately known in her home country, called her “military service in Cubism.” Her rich involvement with European modernism included associations with artists Fernand Léger and Constantin Brancusi, dealer Ambroise Vollard, and poet Blaise Cendrars. Museum of Modern Art, New York 11 February – 3 June 2018. by JILL SPALDING The exhibition celebrates Tarsila’s most daring works and her role in the founding of Antropofagía—an art movement that promoted the idea of devouring, digesting, and transforming European and other artistic influences in order to make something entirely new.
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