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shostakovich symphony 10 analysis

At the First Congress of the Union of Soviet Composers in 1948, the Minister for Culture, Andrei Zhdanov, proclaimed that contemporary music was ‘like a dentist’s drill. The bonding of the people that war had brought about was soon disintegrating again. By Marianne Williams Tobias The Marianne Williams Tobias Program Note Annotator Chair One district, in order to meet its target of 3,800 arrests, decided to rearrest every prisoner who had been released the previous year.

10 in E minor by Dmitri Shostakovich was premiered by the Leningrad Philharmonic Orchestra under Yevgeny Mravinsky on 17 December 1953, following the death of Joseph Stalin in March of that year.

60, titled Leningrad, was completed in Samara in December 1941 and premiered in that city on March 5, 1942. Dmitri Shostakovich Born September 25, 1906 in St. Petersburg, Russia Died August 9, 1975 in Moscow, Russia. Denouncing in fact became one of the main ways to survive. However, the music may also reflect the Soviet invasion of Hungary, as the symphony was composed in the aftermath of the events. 5, 6, & 10 ... Symphony No. The only arbiters should be the people and what the people want is mass songs.’ Shostakovich’s Eighth Symphony was described as ‘not a musical work at all, repulsive and ultra-individualist.’ He was forced to resign from the Composers’ Union. Depression increased as Stalin’s grip over the world grew.

The similarities with the Thirties were all too obvious and it was not long before the arts again felt the brunt of the party’s attack. People smashed his windows.

Therefore traditional analysts often, mistakenly, dismiss his symphonies as “impostors”.

12 in D minor, Op. There was no ideology involved. Not since Wagner has a composer’s reception history been so bitterly contested. Creative figures as disparate as Robin Holloway and the late Pierre Boulez may have earned the right to rail against what they heard, respectively, as ‘battleship-grey…factory-functional…music without inner musical necessity’ (The Spectator, 2000) and ‘third-pressing Mahler’. Symphony No. Both symphonies I heard in concert – a tremendous experience! The Symphony No. One man alone denounced 230 people, all of whom would have been either executed or sent to prison.

More often than not they were immediately rearrested to prevent the absurdities of the original convictions becoming public knowledge.

The late 1940s were also times when people who had been sentenced to ten years in prison in the late 1930s were due to be released. It is hard to imagine what that kind of fear must feel like. It thus has a significance somewhat comparable to that of the The first and longest movement is a slow movement in rough However, Shostakovich biographer Laurel Fay wrote, "I have found no corroboration that such a specific program was either intended or perceived at the time of composition and first performance. So paranoid was Stalin, in fact, that through fear at what Russian prisoners of war might have assimilated whilst in Nazi camps in Germany, they were all arrested on their return and sent to the Gulags. 103, by Dmitri Shostakovich was written in 1957 and premiered by the USSR Symphony Orchestra under Natan Rakhlin on 30 October 1957. A woman got a similar punishment for saying that a certain disgraced general was quite handsome. The Musical Painting ‘Shostakovich’s Symphony No.10’, created this year, is one of two paintings inspired by symphonies of Dmitri Shostakovich.My preceding painting, ‘Largo Shostakovich’ (2013) is a visual interpretation based on the Fifth Symphony, the Largo movement. The Symphony No. One man was executed for receiving a pair of shoes from abroad. 10 in E minor, Op.93 The first movement, a huge arching slow waltz that builds to a climax as inevitably as it recedes away from it is an amazing journey that, despite apparently ending where it began, has travelled an enormous distance.

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shostakovich symphony 10 analysis